As an expression of emotion through physical
movement, the art of dance has always held a strong connection to sexual
arousal. Kayden Kross presents three tales that showcase dancing’s
incredible power to create sexual fantasies in this stylish collection
of short stories.
Vanna Bardot and Kyle Mason:
What a wonderful way to open this project, lens flare and all!
Vanna and Kyle are partners who, for whatever reason, can’t seem to
connect, much to the consternation of their showrunner Kayden Kross.
After a particularly frustrating rehearsal, Kayden delivers an ultimatum
before departing in fury; whatever tension exists between them better
be sorted out by opening night …two days’ time.
With the performers left to their own shame and failure, Vanna
launches the opening salvo, exclaiming that Kyle treats her like a child
rather than a woman before stalking offstage. It’s a powerful line that
ends up acting as an echo for the remainder of the scene as Vanna takes
matters into her own hands. With Kyle sitting alone in frustration,
Vanna re-emerges nude but for her ballet shoes and breaks into her
routine again. Mesmerized, Kyle joins her and the tone is notably
different. Kyle sees her now … as a woman, as a sexual being, as a
desire that he cannot resist. It’s honest to goodness poetry.
Love the way Vanna teases Kyle to start, with her leg up on his,
reaching around and rubbing her pussy as he sits with his dick out and
his hands behind the chair. What an incredible visual tease! When Vanna
finally lowers herself onto his dick, it’s like an exquisite sexual
release that the audience can feel. From there, they certainly do work
out their tension with one another as Vanna teases Kyle to death before
he slams her against the piano desperately.
“Paper Rules (part 1)” Brooklyn Gray, Sky Pierce and Markus Dupree:
This is a very involved tale with lots of moving parts. There’s a
time displacement element that forces the audience to pay close
attention to the sequence of events and that always works to hold the
attention of the viewer. Sky is a new recruit at Markus’ dance studio
and her timid demeanor definitely doesn’t mesh with veteran dancer
Brooklyn’s confidence or Markus’s demanding nature.
When Sky suffers a bad fall during a rehearsal, things look to be
over for her before they even start. But Brooklyn has a moment of pity
and instead of casting Sky aside, she tells her the secret to dancing
success: “Dancing is like fucking without the fluids. Every move should
be so personal it’s obscene.” Brooklyn’s advice takes us back in time to
Brooklyn’s aggressive and raunchy romp with Dupree. This is pure,
unadulterated fucking, ladies and gentlemen. Markus wrecks Brooklyn and
the horny minx loves every second of it. We’re talking about a
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ng, no mercy ass-fuck that sees Brooklyn bent in half like
origami and railed mercilessly for nearly twenty minutes. Holy shit.
“Paper Rules (part 2)” Sky Pierce and Seth Gamble:
Desperate to find her place in the company, Sky takes Brooklyn’s
advice to heart. When Seth Gamble walks in, he finds a despondent Sky
wallowing on the floor. Impulsively, she offers herself to him. Her face
tells her whole story; Seth can do whatever he wants to her. Initially
apprehensive and worried about getting cut, Seth’s frustration boils
over when Sky refuses to back down and in an almost rage he pins her
against the wall and gives her exactly what she wants; an obscene
connection. This scene is almost a mirror of Brooklyn’s encounter with
Markus with one glaring difference; Brooklyn was in control, Sky is not.
Seth uses her at every turn, dictating the action, pace and
intensity. Watch Sky’s face as Seth rams her fuckhole all over the
hallway; not once does she feel like the leader. Rather, she feels like
an initiate being introduced to a world she never thought existed and
she’s overwhelmed by the intensity, liberation and pleasure of it all.
Everything feels new to her and she’s content to let Seth show her the
path to understanding through sex. It’s really a beautiful piece of
storytelling. Unfortunately, the fairy tale ends when Markus rounds the
corner and catches them.
Manuel Ferrara, Kayden Kross and Kenna James:
Awesome helicopter shot to open this scene, followed by an
absolute masculine unit in Manuel Ferrara sauntering into a strip club
from the rooftop entrance. A baller entrance like that doesn’t go
unnoticed, and before long, Kayden and Kenna are making their way to the
stage to see how far Ferrara’s bank account flows. An exquisite dance
sequence follows, with Kenna showcasing her sultry moves against a
perfectly moody musical backdrop before Kayden joins her and blows
Ferrara’s pocketbook wide open.
He offers two grand for the chance to be with both women, and the
price is right. This scene doesn’t have the same reckless abandon as
the others; it’s more of a slow burn that smolders. The audience will be
able to feel the intensity here, but it’s in the form of anticipation
rather than animalistic satisfaction. Kenna and Kayden masterfully
create irresistible sexual tension that carries a power and weight
unlike any other scene in the movie. Of course, Manuel paid them a
boatload of cash for the chance to fuck them. It’s the ultimate
This is a visually stunning film full of intense sexual
expression. The art of seduction is on full display as each story uses
the power of dance to elevate the ecstasy and excitement of sex. Kayden
Kross has evolved into one of the best directors in the business and
this is another example of her vision capturing the raw essence of sex