Lots of Pure Taboo titles are perfect for
Halloween. Creepy. Strange. Disturbing. Terrifying. But, hell, why not
make Halloween every day of the year? — especially if you like
weird/horror/suspense stories. And “Living Vicariously” offers a pair of
doozies; including the title yarn, followed by “Taking Care of Mother,”
both of which also feature scalding threesomes: a girl-girl-boy and
boy-boy-girl, respectively (the latter, in “Mother,” leading to nuclear
double penetrations); while both torrid, somewhat twisted tales are
extremely well-acted (some of the best I’ve seen this year!), in
particular by stars Natalie Knight and Nathan Bronson in “Living”, along
with Syren De Mer in/as “Mother.”
In “Living Vicariously,” we get a chilling scenario involving
obsession, revenge and carnality, with Natalie Knight, Nathan Bronson
and Jane Wilde totally delivering the goods. We start with Natalie
running scared, literally, in the streets from something, someone, until
she finally gets home and securely locks herself in. Is she safe? Ha!
Just as Nat peeks out her window, the specter-like image of a sinisterly
smiling Jane Wilde is manically looking in at her. Natalie freaks,
hurriedly closes the drapes and calls her best friend, played by Nathan
Bronson, who quickly comes over to settle Nat down.
But then Wilde suddenly appears in the house, as if some kind of
malevolent ghost. She is, to some degree. Wielding a knife like Norma
Bates, Wilde can’t forgive Natalie’s character for stealing her
boyfriend, even though Knight broke up with the guy a while back. In
turn, Wilde just won’t stop following Knight. Wilde even scares the hell
outta the huge, muscular Bronson. So, is there a way out? There is.
Perhaps. That is, Wilde wants Knight to fuck Bronson, then, and only
then, will she leave Natalie alone.
“If I let him fuck me,” Knight asks Wilde of Bronson, “will you
stop this? — all of this?” “Sure,” Wilde states with an eerie smile.
“But you have to let him fuck you exactly as I tell him to.” Knight
agrees, “Okay, I’ll do it.”
Ah, then we see the underlying sexual tension be ...continued below
ween Knight and
Bronson erupt, with their platonic relationship — which Bronson always
resented — quickly going off the rails, manifesting itself in an gnarly
threesome. Wilde delights in the anger rising from Bronson towards
Knight, who isn’t sure of her feelings towards Nathan, all of which is
magnificently acted by the two of them. Best moments, erotically
speaking, include Wilde showing Knight how to gag on Bronson’s boner;
Knight getting her thin, muscular, yet highly tasty body doggied by
Bronson; Wilde riding Bronson reverse-cowgirl and having Knight eat her
pussy ... And, no, I won’t spoil the far-from-happy ending for you.
In “Taking Care of Mother,” we get MILF Syren De Mer (who looks
superb with her full all-natural boobs and juicy ass) unleashing a
brilliant performance herself, playing a disturbed stepmother who’s
almost a basket case after her husband’s sudden death; with her
stepsons, played by the manipulative Ricky Spanish and the impish Alex
Jett (the latter reminding me of late cult film star Michael J.
Pollard), exploiting their stepmom’s frailty, leading to the devious
lads shamelessly fucking her to the max — including numerous
ass-bangings and double penetrations — upon the bed in which she and her
late husband slept. “I’ll do what you want,” the emotionally broken,
highly vulnerable Syren tells the boys. “Just don’t leave me.”
Aside from her fantastic acting job throughout, Syren also
delivers one fiery suck/fuck fest; highlights being her choking on each
lad’s cock separately, while trying to communicate to the boys verbally
(it’s humorous and unsettling); Syren getting majorly doggied anally by
each youth, with De Mer’s luscious ass cheeks wildly vibrating; and, of
course, a brace of outrageous doggie double penetrations, with each
fella taking a crack at stepmom’s crack. I won’t ruin the ending here,
either. You just gotta see it for yourself.
“Living Vicariously” is definitely one of the best anthology
installments of the year, with Natalie Knight and Syren De Mer both
sexually and dramatically shining. And, hell, Bronson’s a pretty darn
good actor/performer himself. Highly recommended.