Agent Godard (Vince Karter) has been given a
secret mission to retrieve sensitive data carried by the unwitting Mr.
Viota (Lorenzo Viota), a French national vacationing in Japan. Relying
on his wits and training, Agent Godard tracks Viota across the Land of
the Rising Sun, using every tool at his disposal to retrieve the
information (including the hedonistic atmosphere of Japanese culture).
Luka does a good job of presenting a non-fetish story here which I
find very refreshing. I like the cinematography in relation to the
settings (especially the various shots of the city), which features
transitions between shots that may strike some as sharp and abrupt, but
it seems to be a stylistic choice. Ayaka really stands out here and is
the easy highlight for me, but Igarashi showcased an oral technique that
I found surprisingly interesting. Perhaps Luka’s greatest
accomplishment here is the fact that the women in the story are
presented in a manner that allows quite a bit of audience immersion into
Agent Godard receives the parameters of his latest mission from
his superior as his Oiran (one of many Japanese variations of the
high-priced escort), kneels patiently across the table waiting for him
to conclude his business. Once Godard has been briefed, he turns his
attention to the nubile Ayaka and she gladly moves to perform her
courtesan duties, seductively taking him into her mouth. Great setting
here as the room has the look of an authentic Japanese dwelling and the
gorgeous Ayaka plays the courtesan role perfectly. There’s a wonderfully
excruciating tease to start the sex as Ayaka grinds her pussy on
Karter’s lubed shaft without letting him inside her, prompting one to
wonder how he managed not to blow his load in her hand. Once she finally
lets him in, it’s exactly what you’d expect, with the submissive Ayaka
fulfilling Godard’s every deviant, carnal wish.
Meanwhile, Mr. Viota arrives at the airport, selfie stick in
hand, awash with the excitement of visiting an exotic country and
streaming his experience to his followers on social media. After some
sight-seeing, he decides to take a load off in a bath house where Agent
Godard catches up with him. After a brief conversation in which Agent
Godard offers to show Mr. Viota all the pleasures Kyoto has to offer,
the sexy duo of Tsubaki Kato and Mona Hayami join the gentlemen in the
bath, and Godard makes a cool exit; leaving Viota, Kato and Hayami to
have a steamy threesome in the bath house. Tsubaki really stands ...continued below
here as her stunning good looks and innocent eyes mesmerize the
audience, and Hayami almost feels like a student learning from the
master as she watches Kato expertly please Viota while incorporating a
few of her own sexual tricks in the process. Unfortunately, we don’t get
a full finish because as Godard is rifling through Viota’s things in
the changing area in search of the sensitive data, he discovers that
it’s actually in the bath house with Viota himself in his personal fanny
pack. Having confirmed the data’s location, Godard interrupts the
tantalizing tryst and tells Viota they’ve got to get going, leaving
everyone (including the audience), unsatisfied.
Godard and Viota arrive at a restaurant and find a scrumptious
Shiori waiting for them. She serves as the table on which the gentlemen
dine on a meal of elegant sushi before servings as desert herself.
Godard and Viota takee turns pounding Shiori’s fresh pussy before Viota
takes her in the ass, releasing the floodgates of debauchery. A rapid DP
follows, and Shiori seems completely consumed by the hedonistic
Agent Godard takes Mr. Viota to a spa to cap off the day’s
adventure, where Viota gets a sensual body scrub by the lovely Igarashi.
With the mood set, Godard strolls in and Igarashi rewards them both
with the prototypical happy ending. Igarshi has this really unique
technique she uses when she’s sucking dick that I’ve never seen before;
she sort of nibbles the shaft with the tip of her tongue like she’s
testing a hot liquid before taking a gulp. She also rubs Karter’s taint
while she does it as he jacks himself like crazy and I must admit it
really caught my eye. When everything is done, Agent Godard and Mr.
Viota take a stroll around the city (Viota still marveling at the
cityscape and streaming everything), and in all his excitement, Godard
deftly lifts the fanny pack and disappears into the crowd, leaving a
befuddled Viota wondering what happened. Mission accomplished.
This is a fun movie that really gives the Japanese cast members a
chance to shine. I like the fact that they aren’t fetishized in any
way, but rather, are just given the opportunity to be part of the story.
I don’t know if this story was filmed on location, but it felt very
much like it was. The setting really transports the audience to Japan
and creates a very unique feel. This is doubly true for non-European
audiences since the dialogue is all French, but the setting is strongly
influenced by Japanese architecture.