The wildly popular Netflix docu-series “Tiger
King” gets the porn parody treatment in this reality-style feature from
co-directors Casey Calvert and Eli Cross. Penned by Fistopher Nolan, the
story chronicles the rise and fall of lesbian porn mogul Jill Erotic
(Serene Siren) and her battle for industry supremacy within the lesbian
porn space against competing moguls Bagavag “Dot” Scandal (Reagan Foxx)
and Cheryl Badsin (Cherie Deville).
For parodies to work, the creator must decide whether their story
is going to be a satire or a spoof. Satires tend to lean closer to the
source material, while spoofs often stray far outside its parameters.
Cougar Queen is a full on satire with spoof elements. Fistopher Nolan
does a nice job writing a story that is just as insanely over-the-top as
its source material, and directors Calvert and Cross do a great job
capturing the tone of the story through their direction (particularly
the reality-style interview bits).
The massive cast is headlined by Serene Siren who absolutely
nails her role. She doesn’t just do an impression of Joe Exotic from the
Netflix series, she makes Jill Erotic feel like a different character
completely even though she behaves in a similar fashion. It’s one of the
best character performances I’ve ever seen from Serene. Everyone else
in the film does a great job bringing the story to life, and they all
get a chance to shine. There’s also a story within a story of a
journalist struggling to make sense of the insanity surrounding Jill,
Cheryl and Dot. Great concept and execution.
Fans of solo scenes are absolutely going to love what this series
has to offer. Jill Exotic gets the ball rolling when she bursts into a
performative solo session to show Calvert exactly why she has so many
fans. It’s really a cool how Serene goes from badgering her nemesis
Cheryl while shoving four fingers up her pussy, to just getting off like
she would during a show for her fans. Watching Serene rub her clit
furiously while splayed upon a reclining bench is quite the treat.
Rita Cuck’em (April O’Neil), a former director for Jill’s company
GW Films, breaks into a solo scene of her own during her interview.
April looks amazing in that fresh hat, and watching her wand and toy her
pussy to orgasm under the guise of showcasing her artistic vision is a
nice sexual and narrative touch. Plus, fans of ample bush will enjoy
this because April’s muff is a sexy throwback to the 70s.
Loyal volunteers of Cheryl Badsin’s company Big Clit Rescue,
Suzie Ass (Kenzie Madison) and Debbie Fondlin’ (Katie Kush) break into
an actual g/g scene as they explain the parameters of their work to
Calvert. I quite enjoyed the lighting in this scene, as both ladies
seemed to almost glow as they wrapped themselves around each other.
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re’s a scene between Cheryl and her second wife Holly Badsin
(Aaliyah Love) that is unlike anything I’ve ever seen. With public
perception regarding the integrity of her marriage to Holly in doubt,
Cheryl surprises Holly with an impromptu FaceTime call. Hoping to dispel
the public rumors, Cheryl coerces Holly into a virtual sex session. As
the audience, we get to see Aaliyah Love fucking herself (albeit
somewhat confused) while also getting to watch Cherie Deville bang
herself to intense orgasm. I couldn’t help but think of people around
the world engaging in similar situations due to Covid when I saw this
scene and I must applaud Calvert and Cross for this unique idea.
Scarlett Sage has a solo scene that plays out like a cam show.
Unlike everyone else in the film, Lucy Caboosey (Sage) forces Calvert to
tip her in order to get any information. To Calvert’s chagrin, instead
of revealing details about the conflict, Lucy simply gives Calvert a
standard online show before logging off. Scarlett really lights up the
camera as she blisters her pussy with the combo of pink vibrator and
Former undercover cop and current C.O.U.G.A.R.S. employee Suckma
Tytees (Lina Luxa) gets excited just talking about Dot and can’t help
but rub herself out while Calvert is interviewing her.
Jill’s ex-wives Jane Fine-Lay (Whitney Wright) and Dylan Pussage
(Gianna Dior) have the second true g/g scene in the film. Despite
dubious claims of being straight, as soon as Calvert leaves the room to
get another camera battery, both women descend upon each other like
ravenous sexual freaks. Watching Gianna lick Whitney’s pussy furiously
while Whitney holds her legs up and keeps a somewhat watchful eye on the
door is a great visual.
Cynthia Cornhole (Kira Noir) gets excited about showing Calvert
all the Girlsway content in a scene that is built on self-promotion.
Kira Noir is so pretty and she looks fantastic rubbing her pussy from
behind while peeking back at her computer screen for added inspiration.
Dot’s interview is the most impactful from a story standpoint,
but her solo scene is just as arousing as all the others. Reagan looks
fantastic perched on the back of her chair, legs spread wide, fondling
It was very smart for Calvert and Cross to give away the story’s
climax right away, then take the audience back to figure out the path to
that climax. There’s also a mystery element that keeps the audience
tuned in beyond the sex. Despite the movie having to be shot largely
virtually amid the pandemic, within the largely solo scenes there is
diversity with toy play, a virtual scene and a cam setting. Serene Siren
arrives excels as an actor and Nolan’s screenplay is rock solid. Casey
Calvert is also hitting her stride as a director, having successfully
helmed two substantial series in the past year.