Jacky St. James directs four erotic stories
exploring the idea of couples who can’t resist the magnetic sexual pull
of their partners for one reason or another.
“Conflict of Interest” (Laney Grey and Chad White):
Med student Laney Grey notices the impressively chiseled Chad
White moving boxes into an apartment within her complex and is instantly
taken by his presence in spite of herself. When he takes a load off in
front of her place, she decides to shoot her shot, changing into
something a bit more alluring and letting her hair down. Chad clearly
has a bum shoulder, which presents Laney with the perfect excuse to
I thought this was a nice setup (especially the way Laney played
up the idea that Chad was so sexy she could barely contain herself
around him), but I wish she’d been a little louder, because their
conversation establishes the thematic premise of the sex and I missed a
good portion of it because Laney’s dialogue was too quiet. Still,
audiences will get the idea and there’s certainly no audio issue with
Laney is very pretty and she’s wonderfully curvy. Her natural
boobs look awesome flopping under the impact of Chad’s vigorous thrusts.
Chad is also quite the looker with his wide chest and sculpted arms and
together these two look fabulous. I also appreciated very much the
emphasis on kissing and fondling as the scene opened because it helps
build the idea that both parties simply can’t help themselves.
“Fuck It” (Jada Kai and Damon Dice):
After a date that lasts through the night and into the next
morning, Damon and Jada arrive at her place fully enveloped in the
throes of passion. Damon is desperate to come inside and cap off their
date with sex, but Jada is equally desperate not to take things too
quickly. But after a ton of lustful kissing and heavy petting at her
door, Jada throws caution to the wind and invites Damon in.
This sex turns into a steamy shower scene which is fitting since
Jada mentions she’s got to shower and get ready for work, and wow is it
the stuff of trashy romance novels (in a good way)! The water cascading
down the bodies of the two lovers is an exquisite visual and the
sequence where Jada rides Damon on the shower bench is peak romantic
fantasy. The piledriver was also impressive and the loving embrace at
the conclusion was the perfect ending. This scene is really nice.
“You Owe Me” (Kyler Quinn and Nathan Bronson):
Downtrodden Kyler Quinn still hasn’t quite gotten over the
heartache of her cheating ex-boyfrie ...continued below
d Nathan Bronson. As he’s on his
way to her place to get the last of his things, her friend Aila calls to
give her some encouragement and remind her not to sleep with him. Kyler
promises she’ll try her best not to, even though she’s been celibate
since the breakup. When Bronson arrives, there’s a clear tension between
the former lovers. Nathan is hesitant and meek, clearly hoping to
garner some level of warmth from his former partner while Kyler is cold
and sharp. However, when Nathan resigns himself to his fate and moves to
leave, Kyler surprisingly grabs him and kisses him.
She makes it clear that what’s about to happen doesn’t mean
they’re getting back together, but is rather a parting shot at Bronson
to remind him of what he gave up by cheating. This is a nice take on the
grudge fuck idea and the performers play it perfectly. Kyler is in
control from the start, and her whole aura seems to be a giant
vindictive sneer aimed right at Nathan who is clearly just along for the
ride. Note the way Kyler rarely takes her eyes off Nathan’s, almost as
if she’s basking in his growing despair at losing her. The way she rolls
her eyes when he finishes all over her pussy is a stark contrast to his
gleeful grin, and that grin turns to ash immediately when she dismisses
him callously. Well played.
“You Could Model” (Aila Donovan and Quinton James):
There’s not much time between the preamble and the action here.
Quinton drops Aila off after a modeling gig, and she mentions to him
that he should try his hand at it considering how hot he is. Quinton is
bashful and thankful and somewhat overwhelmed, and Aila pounces on him
like a tiger on a hunt. We go from coy banter in the entryway to Aila
shoving Quinton into her bedroom lair for an afternoon fuck fest. Holy
cow that missionary! I’ve never seen that position pulled off like that
before and my word is it fantastic! You’ll know exactly what I’m talking
about when you see it and that short moment alone is top-tier smut. But
it’s not just that moment, the lay-down doggie is extremely erotic and
sensual. This is the best scene in the movie hands down, in my view.
While the stories presented here are legitimately good, this film
really soars on the strength of its visual presentation of the sex. The
scenes just look so appealing and they scratch that romantic itch we
all harbor somewhere in our psyche. The shower scene is a peak example
of this, but honestly every pairing benefits from the outstanding
captures by cameramen David Lord and Ralph Parfait. Great work by those
two in elevating this project.